Representation and Contacts
Representation
Patrick Togher, Director
Patrick Togher Artists’ Management
109A Burradoo Rd
Burradoo NSW 2576
Email: patrick@patricktogher.com
Mobile: 0411 129 690 (Patrick Togher)
Website: http://www.patricktogher.com
Natalie De Biasi: Artist Manager
natalie@patricktogher.com 0403 770 602
Paull-Anthony Keightley: Artist Manager
Paull@patricktogher.com 0433 043 502
Amelia Berry: Assistant Artist Manager
A member of international Artist Managers’ Association (IAMA) http://www.iamaworld.com
A member of Opera Managers’ Association International http://www.operamanagers.org
https://www.patricktogher.com/warwick-fyfe/
Photo: by kind permission of
PTAM
Repertoire
Opera
In Concert
In Concert
Title / key rôles in Falstaff, Rigoletto, Bluebeard. Wagner roles have included: Wotan, Dutchman, Alberich, Fasolt (Ring Cycle), Hans Sachs, Beckmesser, Ortel (Meistersinger).
Other key rõles include: Vodnik (Rusalka); Amonasro, King of Egypt (Aida); Athanaël (Thaïs); Sancho Panza (Don Quichotte); Paolo (Simon Boccanegra); Four Villains
Title / key rôles in Falstaff, Rigoletto, Bluebeard. Wagner roles have included: Wotan, Dutchman, Alberich, Fasolt (Ring Cycle), Hans Sachs, Beckmesser, Ortel (Meistersinger).
Other key rõles include: Vodnik (Rusalka); Amonasro, King of Egypt (Aida); Athanaël (Thaïs); Sancho Panza (Don Quichotte); Paolo (Simon Boccanegra); Four Villains (Tales of Hoffmann); Mandryka (Arabella); Faninal (Rosenkavalier); Pizarro (Fidelio); Fra Melitone (Forza del Destino); Papageno (Magic Flute); Dr Schon / Jack the Ripper (Lulu); Bartolo (Il Barbiere Di Siviglia); Dr Bartolo ( Marriage of Figaro); Leporello (Don Giovanni) Sharpless IMadama Butterfly);.
Warwick has worked in Australia, New Zealand, The UK, Japan, China, Vietnam, Singapore and Finland.
Photo:
As Athanäel, in Thaïs
In Concert
In Concert
In Concert
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
O
Bach, Ein Deutsches Requiem. Melbourne Bach Choir.
Bach, St John Passion. Melbourne
Bach, St Matthew Passion. Canberra
Bach, B Minor Mass. Canberra
Bartók, Bluebeard's Castle. Monash Academy.
Beethoven 9. SSO, MSO, WASO.,
Beethoven, Mass in C. Melbourne.
Beethoven, Fidelio (WASO)
Dvorak, Stabat Mater (Willoughby Symphony)
Mahler 8. (OMM, Sing)
Orff, Carmina Burana SSO , MSO. QSO, ASO.NZSO.
Handel, Messiahs: Melbourne, Sydney, Brisbane, Adelaide, Hobart.
Missa Solemnis. SPO
Rachmaninoff, The Bells. (WASO)
Rossini, Stabat Mater. (SSO),
Szymanowski, Stabat Mater. (Melbourne Bach Choir)
Schoenberg, Gurrelieder. SSO
Verdi, Requiem WASO, QSO, WAYO
Wagner, Rheingold, OMM (Sing)
Wagner, Walküre. WASO
Wagner; Parsifal OA
Siegfried, SSO
2026
Madama Butterfly, OA
As Sharpless: 11-25 Mar only
https://www.oq.com.au/whats-on/rusalk
Talk: Sydney Opera Society
'Don Quichotte' 2/5/2026
https://sydneyoperasociety.com/events
Concert: Wagner Society NSW
Warwick Fyfe, Lee Abrahmsen, accompanied by Glen Amer
17 May 2026
Rusalka, Dvorák QOC
As the Vodnik 25 Jun-4 July
https://www.oq.com.au/whats-on/rusalka/
Concert: Coffs Harbour Music Society
Warwick Fyfe and Glenn Amer
Sat 15 Aug 7.30pm
https://coffsmusicsociety.com.au
Concert: Brahms: Ein Deutches Requiem,
Szymanowski: Stabat Mater
Melbourne Bach Choir 11/09/ 2026
Melbourne Recital Centre
https://www.mbc.asn.au/upcoming-concerts/
Concert: Verdi Requiem, Canberra Symphony Orchestra
Canberra 6/11/2026
Concert: Gotterdämmerung, Sydney Symphony Orchestra
19-22 Nov/2026
https://www.sydneysymphony.com/events/simone-young-conducts-gotterdammerung
Opera Reviews
The Vodnik, in Rusalka , West Australian Opera 2024, Opera Australia 2025, Opera QLD 2026
“Helpmann Award-winning Warwick Fyfe reprises his 2025 role as Vodnik. His distinctive booming baritone rumbles with disdain at his daughter when she longs to become human to meet her beloved Prince. Vodnik’s bald-headed, shrouded form gives chilling Voldemort vibes when he dominates both the stage and his offspring with his resonant rage.” Gemma Reagan, Scenestr. 26/6/3026
https://scenestr.com.au/arts/review-opera-queenslands-rusalka-qpac-brisbane-20260626
Wotan, in Walküre, 2022; Der Ring des Nibelungen 2023. Melbourne Opera Company
“The highlight of the evening however is Warwick Fyfe. He brought Alberich to flaming life in the Opera Australia Ring and he is a better Wotan than the Melbourne Opera has any right to dream of. He has a surging authority which is inseparable from his capacity to convey tension and self-division, so that his ‘Leb wohl’ is full of a subtle minimalist movement as the mist of flames surrounds the hushed body of his beloved daughter.” Peter Craven, Spectator Australia. 19/02/2022
Photo credit: Robin Halls
Meistersinger, Melbourne Opera 2025
“Making his role debut as Hans Sachs, veteran Heldenbaritone Warwick Fyfe triumphs. The stentorian voice; his suppleness of vocal line and the vast scope of coloration he achieves are nothing short of astonishing. His stage presence as an actor alone would render his performance mesmerising but add this glorious voice and he is magnetic every time he takes the stage.”
Gregory Pritchard, Concertonet.
Photo Credit: Robin Halls
Background
Background
Education and Early Career
Background
Born in Canberra, Australia, Warwick Fyfe is an award winning Australian / International opera singer. . His voice encompasses the Helden Baritone range He is one of Australia’s most highly respected singers and well known as an exceptional exponent of the Wagnerian repertoire. Warwick is an alumnus of Narrabundah College, Canberra Schoo
Born in Canberra, Australia, Warwick Fyfe is an award winning Australian / International opera singer. . His voice encompasses the Helden Baritone range He is one of Australia’s most highly respected singers and well known as an exceptional exponent of the Wagnerian repertoire. Warwick is an alumnus of Narrabundah College, Canberra School of Music and the Victoria College of Arts (Melbourne University).
As Rigoletto
Photo Credit: Jeff Busby
Awards
Education and Early Career
Background
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes M
Winston Churchill Fellowship; Helpmann Award; Green Room Awards; The Bayreuth Scholarship; Performing Arts WA award for outstanding achievement by an interstate artist; McDonald’s Aria; Heinz Australian Youth Aria; Leopold Julian Kronenberg Foundation Award (Stanislaw Moniuszko International Vocal Competition,Warsaw); Dame Mabel Brookes Memorial Fellowship; The Austral SalonScholarship; The Mabel Kent Scholarship; Bayreuth Bursary
As Falstaff
Education and Early Career
Education and Early Career
Education and Early Career
Victoria State Opera Schools Company 1992
Victoria State Opera Young Artist Program 1995
Opera Australia Young Artist Program 1998
Opera Australia Principal Artist 1999-2014
Senior Principal Artist, Opera Australia 2013-2014
International Freelance Artist
2014 - present
:
As Papageno
Photo Credit, Jeff Busby
Concert Reviews
Verdi Requiem
Queensland Symphony Orchestra
Under the baton of Maestro Umberto Clerici
“Baritone Warwick Fyfe was eminently suited to the role, his sonorous, robust tone as rich as figgy pudding. His rendition of the haunting Confutatis (When the Cursed) was magnificent, and the combination of his bass, the chorus and the trumpets during Tuba Mirum was thrilling.” Dr Gemma Regan, Limelight. 5/10/2025
Photo by Dr. Bruce Caldwell
Gurrelieder
Sydney Symphony Orchestra
Under the baton of Maestra Simone Young.
“Australian bass-baritone Warwick Fyfe's performance of a part that has been taken by actors like Werner Klemperer (son of the conductor, Otto) or by ex-singers (Schoenberg apparently mulled over the idea of a retired tenor) was magisterial – full of illuminating gesture and direct communication (helping us to ‘see’, for example, the web that the summer wind tore away). Toward the end it was if Fyfe was longing to sing, a moving yearning that led logically into a powerful choral conclusion, testament to music’s ability to deliver the most decisively powerful climaxes.” Gordon Williams, Operawire. 24/03/2024
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
https://operawire.com/sydney-symphony-orchestra-2024-review-gurrelieder/#google_vignette
Siegfried
Sydney Symphony Orhestra
Under the baton of Maestra Simone Young
“Warwick Fyfe more than rises to the challenge as Mime’s brother Alberich. Here we have two of the world’s best Nibelung, and like Siegel, Fyfe has made his role his own (including during all three stagings of the Ring Cycle by Opera Australia in 2013 Both enunciate perfectly, extracting every ounce of textual information Wagner embedded in his libretto.
And most importantly, they rid the Nibelung of the farcical and antisemitic traits often imposed on them, restoring a gravitas that befits the race after which Wagner’s tetralogy is named. It is, after all, Alberich’s curse that propels the Ring Cycle to its inevitable conclusion.”
Jansson J Antmann. Limelight, 13/11/2025
2016 (https://limelight-arts.com.au/reviews/review-das-rheingold-opera-australia/) and 2023 (https://limelight-arts.com.au/reviews/das-rheingold-opera-australia/).
(https://limelight-arts.com.au/reviews/live-review-with-video-das-rheingold-opera-australia/),