Welcome!

Wotan, Die Walküre. Singapore.

Welcome to the website of Warwick Fyfe, Australian / International opera singer, helden bass baritone, Helpman award winner, Wagner scholar, and Winston Churchill Fellow.  

This year has been a mixed bag of triumphs and disappointment, owing to Covid 19 travel restrictions, state border and theatre closures, self isolations, full quarantines, vaccinations, permits and so forth.  However, tand a first rate Barber of Seville in Perth.

Sadly, after a wonderful opening night of the OA AIDA at the SOH, the theatre was closed down yet again, due to Covid. A further blow was the cancellation and postponement of the OA Ring Cycle in Brisbane, owing to QLD border closures. A great disappointment to everyone involved with the production, as well as our loyal opera supporters. Hopefully, we may see some decrease in border closures in 2022. These are tough times for Australian opera singers the opera community, and arts workers generally. 

 2021 

Britten. Midsummer Night's Dream Feb 26, 28; Mar 2, 3. Adelaide Festival, Adelaide.

Rossini. Barber of Seville April 17, 20, 22, [24 Cancelled - Covid]. West Australian Opera, Perth.

Verdi. Aida. June 22; July 10, [13,15,17, 24m.  Sydney.  Opera Australia. NOW CANCELLED- Covid ] 

Wagner. The Ring (Alberich) Oct 29 (Rheingold), Nov1 (Siegfried), 4 (Gotterdammerung); 6 Rheingold), 10 (Siegfried), 12 (Gotterdammerung); 14 (Rheingold),18 (Siegried), 20 (Gotterdammerung). Opera Australia, Brisbane. [NOW POSTPONED- owing to QLD Border closures]

Orff. Carmina Burana. July 9,10. Melbourne. MSO. ** Postponed  due to Covid 

 2022

Wagner, Die Walküre (Wotan). Feb 7,9,11,13. Melbourne Opera. (20, 24 Feb TBA.)

 

 

 

Amonasro, in Aida. Opera Australia, 2021. Photo credit Prudence Upton.

“Warwick Fyfe as Amonasro penetrated this stateliness with an urgent, and earnest energy that was instantly compelling, and clearly invigorating for his fellow performers. Fierce and nervy, he was a thrilling presence on stage. Acting teachers often talk about a necessary quality of ‘danger’ in great actors, which Fyfe could lead a class or two on. “ Opera Review, 29/06/2021. Oliver Wakelin .

Representation

  • Patrick Togher Artist Management

    61 (0) 411 129 690 Mob

    +61 (0) 2 9319 6255

    www.patricktogher.com

    patrick@patricktogher.com
    natalie@patricktogher.com

    Suite43, 551 Elizabeth St
    Surry Hills, NSW 2010

  • Hancock Artists (UK, Europe)

    +44 (0 7921 255 467 mob

    +44 (0) 20 3289 5347

    www.hancock artist.com

    james@hancockartists.com